SacredSpaces
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Thorn. Path. Witness. A hymn of St Joseph of Arimathea in Britain — “Through Cornwall’s cliffs where breakers roar” (DCM)

A modern hymn recounting the pilgrim paths of St Joseph of Arimathea in double common metre. Continue reading
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In the Company of Ireland’s Saints

A familiar melody, gently reclaimed on St Patrick’s Night: a song‑poem of saints, landscape, and belonging, reshaped into something quietly Irish and wholly new. Continue reading
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A hymn celebrating the Eucharist — “Upon the hill where grasses bend” (DCM)

At the table, heaven draws near: ordinary bread, quiet grace, and Christ present among us—sending us back into the world bearing peace, love, and holy presence. Continue reading
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A hymn giving thanks for the Mothers Union — “O God who gathers us in love” (CM)

Celebrating 150 years of Mothers’ Union worldwide. A Mothering Sunday hymn of thanksgiving for faithful service, for Ireland’s witness, and for my own mother — and mothers everywhere. Continue reading
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A hymn of the New Covenant — “In whispered winds You speak again” (CM)

In whispered winds You speak again 1.In whispered winds You speak again,Your covenant made new;Not carved on stone of Sinai’s height,But written deep and true.2.You trace Your promise on our heartsLike sunlight on the dew;As meadowsweet in summer fields,Your mercy rises too.3.The shadows flee the morning light,The ancient rites give way;The tent of cloth and… Continue reading
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A hymn inspired by Joshua 24:15 – “Along the hawthorn-bordered fields” (DCM)

Across hawthorn hedges and quiet rivers, this hymn invites us to choose Christ’s way—walking together in unity, baptismal grace, and shared table beneath Ireland’s listening skies. Continue reading
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Compline hymn – “Beneath Your wings, O Holy One” (Common Metre)

A hymn rooted in the Irish landscape inspired by the ancient compline psalm 91. Continue reading
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A quiet hour by the Shannon – “By Shannon’s holy, flowing tide (Common Metre)

St Mary’s Cathedral in Limerick is depicted as a sacred space where faith, memory, and community intertwine, inspiring continuous worship. Continue reading
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“At Evening, God Has Spoken”: A Vespers Hymn on Psalm 110 (76 76 D)

110 has long been one of the traditional psalms of Sunday Vespers. My new hymn, At Evening, God Has Spoken, reflects on that ancient text through the quiet landscapes of the Irish midlands—heathered hills, the Barrow’s waters, and the stillness of evening prayer—resting in Christ our High King through the night. Continue reading
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From Desert Paths to Living Water: A Lenten Invitation – “By stony paths in desert lands” (88 88 D)

The congregational hymn reflects on spiritual thirst, Christ’s grace, and our Lenten journey from doubt to faith, inviting renewal and reconciliation. Continue reading
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A Hymn of Soil, Saint, and Sacrament – “Here the fields of Erin whisper” (87 87 D)

This hymn celebrates Christ’s presence in creation, uniting diverse traditions in peace and reconciliation through Eucharistic imagery and Celtic spirituality. Continue reading
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The star that keeps watch

A lone star high up in the skyBeams brightly through the cold,Its shimmer threading winter’s darkWith stories yet untold.From here inside the quiet house,Where stillness warms the air,We watch it through the windowpane—A small, steadfast prayer.The only sound that stirs the hushIs soft and low and whole:Two kitties sharing, side by side,The murmuring of one… Continue reading
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Singing Psalm 98 in an Irish Key

“Sing to the Lord a new song…” Psalm 98 is not shy. It is tidal. It calls rivers to clap their hands and hills to sing for joy. It insists that creation itself is caught up in praise—not as backdrop, but as choir. In the Anglican tradition, Psalm 98 can be used at Evensong as… Continue reading
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Writing a Hymn—and Learning Stabilitas Overnight

This hymn didn’t emerge in a chapel. It came overnight. In silence. In storm. In the unbuilt monastery of the mind. “Wild winds rise fierce across the plain,My refuge be.” The imagery came quickly. But the deeper formation came slowly—as most Benedictine things do. I’m part of a Benedictine community without walls. We are dispersed… Continue reading
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Unknown Paths, Rising Hills: Writing a Hymn for the Second Sunday in Lent (Year A) — “You call us out to unknown paths” (CM)

You call us out to unknown paths You call us out to unknown paths,Like Abram long ago;Through mist along the Barrow’s bends,Your pilgrim people go.You lift our eyes to rising hills,Where skylarks greet the dawn;Your keeping shade, like hawthorn’s bough,Stands guard till night is gone.Not by our striving, strength, or claimBut gift of grace alone,You… Continue reading
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Divinity in Difference: The Window That Says What We’ve Been Trying to Say

Every now and then, an image comes along that says in colour and light what pages of writing have been circling for years. This stained-glass window feels like that. It gathers the heart of NeuroDivine—the essays, the fiction, the hymns, the poetry—and holds them up to the light with one steady claim: Difference is not… Continue reading
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Stay with me in the waiting.

There are days when Jeremiah’s cry—“My anguish, my anguish!”—feels less like something from long ago and more like the body’s own truth. In the dialysis unit, with the soft beeping of the machines and the hush of people doing their best to get through another session, you can hear that same ache. Jeremiah speaks of… Continue reading
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The Knot of Grace: A Lorica for the Wired Mind

I wrote the hymn in English first. It came out of lived places. Hospital corridors. Strip lighting. The hum of machines. Motorways. Rain over stone. The strange ache of being surrounded and alone. It wasn’t theory. It was my nervous system on paper. There are days when my brain feels like too much input and… Continue reading
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In the Thin Place of Forty Days

Rooted in the landscape, spirituality, and imaginative tradition of the Irish midlands, the text interweaves the great biblical “forty” journeys—the flood, the exodus, Sinai, the wilderness, and the risen Christ’s forty days—with the sacred geography of Kildare and its surrounding boglands. Drawing on Celtic Christian imagery and the rhythms of creation, it invites worshippers to… Continue reading
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Arrival

Arrival is a poem about coming home—not only to a place, but to a moment, a body, a ward, a riverbank, a sky clearing after rain. Set along the familiar paths of Monasterevin and Ballybrittas, the poem moves through train platforms, hospital rooms, shared umbrellas, and sudden shafts of light. What might appear ordinary becomes… Continue reading
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