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A Hymn for the Quiet Keeping – “Christ, Keeper of our quiet days” (Common Metre) 

Stained-glass style image of Christ with outstretched arms beneath a golden halo, blessing an Irish coastal landscape at sunset. Around him are Celtic crosses, a small stone church, a river and waterfall flowing to the sea with a sailboat, green hills, sheep, a harp, wildflowers, a candle and open Bible, all framed with Celtic knotwork.

Christ the Keeper

Common metre

Christ, Keeper of our quiet days,
Whose mercy guards our way,
You hold us in your steadfast love
From dawn to close of day.

No fear of forces dark or strange
Shall shape the path we tread;
For you have conquered death itself
And raised Christ from the dead.

In winds that roam the Irish fields,
In waters still and bright,
Your peace moves through our island home
And fills our days with light.

When sickness weighs upon our hearts,
Or sorrow dims our sight,
Your healing presence whispers still
And guides us through the night.

So strengthen us to live in faith,
To love, forgive, and care;
Rooted in Christ, our hope and home,
We rest within your prayer.

To Father, Son, and Spirit blest,
Whose light the hills adorn,
Be glory through our island days,
And praise in every morn.

Hymn information

First line: Christ, Keeper of our quiet days
Text: Michael McFarland Campbell
Metre: Common Metre (8.6.8.6)
Suggested tune: Ballerma, St Columba,
Theme: Christian Hope

Reflection

These days people speak in a way online that makes prayer a battlefield. It’s all filled with talking about the names of enemies, rebuking the spirits, and ‘binding’ forces I can’t even see. Now, for all I don’t dispute the sincerity of it, it settles in a way that doesn’t seem as well adjusted to the quiet, steady rhythm of the Anglican way I was raised. 

We have our very own way of “binding” here — the Breastplate of St. Patrick, after all. But when we “bind unto ourselves today” the strong name of the Trinity, we aren’t looking for a fight; we’re looking for a shelter. It’s not about tallying “monitoring spirits” or chasing shadows; it’s about the grand, settled confidence that Christ has already gone and conquered sin and death for good. Our calling isn’t to be forever mapping out the dark, but to wrap ourselves in the mercy of God and walk out into the light we’ve been given.

And so, rather than getting a fight about this, I moved that into a hymn. 

I began with Christ as the

“Keeper of our quiet days”

—which was also a very Anglican way to look at things. It’s about the peace of God moving through the places we love: the Irish fields, the quiet waters and the small, everyday turns of a day. It doesn’t neglect the illness or the pain—God knows those are real enough companions—but it gets them all combined into the much larger picture of His healing presence. 

The gist of it is simple enough: We’re not supposed to live with dread about unseen forces. The victory is won. It’s simply our work now to live our faith, to quickly love and forgive, and to maintain a rooted hope that will not be shaken. 

At heart, it’s just a doxology. It doesn’t call out for battle for soldiers to make their last stand but rather offers praise quietly upon the Father, Son and Holy Spirit whose light remains soft and sure upon this island’s hills.

Stained-glass style image of Christ with outstretched arms beneath a golden halo, blessing an Irish coastal landscape at sunset. Around him are Celtic crosses, a small stone church, a river and waterfall flowing to the sea with a sailboat, green hills, sheep, a harp, wildflowers, a candle and open Bible, all framed with Celtic knotwork.
Christ the Keeper. Stained-glass style image of Christ with outstretched arms beneath a golden halo, blessing an Irish coastal landscape at sunset. Around him are Celtic crosses, a small stone church, a river and waterfall flowing to the sea with a sailboat, green hills, sheep, a harp, wildflowers, a candle and open Bible, all framed with Celtic knotwork.

Copyright

© Michael McFarland Campbell 2026.
Permission granted for local church or parish use with attribution. Not for commercial reproduction.



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Cover of "A Living Cloud of Irish Witnesses.
March 2026
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